Modes in G

For larger mode maps:
G Lydian
G Ionian
G Mixolydian
G Dorian
G Aeolian
G Phrygian
G Locrian

See also:
G Major Scale
G Minor Scale

Modes with 0 Sharps, 0 Flats

For larger mode maps:
C Ionian
D Dorian
E Phrygian
F Lydian
G Mixolydian
A Aeolian
B Locrian

See also:
C Major Scale
A Minor Scale

Dictionary: G Mixolydian Mode

Seven #Modes with No Sharps, No Flats / Four #Chords for the #Keyboard

G Melodic Minor for the #Keyboard (#Piano, etc.) / and the #Fretboard (#Guitar)

#Guitar #Chords in A Minor / Seven #Modes on the #Fretboard

Jam Session 102h with G F Csus2

Here are some show/lesson/jam session notes for Jam Session 102h:

Jon keeps his guitar with a clean tone, while Ryan uses distortion.  There's some talk about dynamic mics versus condenser mics, but there is still some instrument bleed, in any case.

    G                     F                    Csus2
e |-3-------------------|-1------------------|-3-------------------|
B |-3-------------------|-1------------------|-3-------------------|
G |-4-------------------|-2------------------|-5-------------------|
D |-5-------------------|-3------------------|-5-------------------|
A |-5-------------------|-3------------------|-3-------------------|
E |-3-------------------|-1------------------|---------------------|

    Csus2
e |-3-------------------|--------------------|---------------------|
B |-3-------------------|--------------------|---------------------|
G |-5-------------------|--------------------|---------------------|
D |-5-------------------|--------------------|---------------------|
A |-3-------------------|--------------------|---------------------|
E |---------------------|--------------------|---------------------|

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G Major Modes

These modes in G have a major key sound mostly because of the major 3rd, B:

Ionian: G A B C D E F# G
Lydian: G A B C# D E F# G
Mixolydian: G A B C D E F G

The G major triad (notes in bold) also exists in these three modes.

G Mixolydian Mode (Guitar, Intermediate)

A mode is just a certain way of expressing a scale. In this case, the G Mixolydian mode expresses the scale in the same way as the C major diatonic scale. The G Mixolydian mode contains the following notes: G, A, B, C, D, E, and F.

I personally like the spacey quality of this mode, and it works quite well in many chord progressions that involve the G major chord and the F major chord.

Also note that the major pentatonic scale is encoded within the Mixolydian mode (the same simple orange-circle pattern from a few days ago).